{"version":"1.0","provider_name":"Festival Film a architektura","provider_url":"https:\/\/filmarchitektura.cz\/en\/","author_name":"Karol\u00edna Vackov\u00e1","author_url":"https:\/\/filmarchitektura.cz\/en\/author\/karolina\/","title":"Thirty-seven Movies for a Home &#8212; Festival Film a architektura","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"34tyG43cYb\"><a href=\"https:\/\/filmarchitektura.cz\/en\/program\/thirty-seven-movies-for-a-home\/\">Thirty-seven Movies for a Home<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmarchitektura.cz\/en\/program\/thirty-seven-movies-for-a-home\/embed\/#?secret=34tyG43cYb\" width=\"600\" height=\"338\" title=\"&#8220;Thirty-seven Movies for a Home&#8221; &#8212; Festival Film a architektura\" data-secret=\"34tyG43cYb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmarchitektura.cz\/wp-content\/uploads\/2019\/08\/screenshot-2019-08-05-at-22-30-16.png","thumbnail_width":1500,"thumbnail_height":957,"description":"At various times during the 60s and the 70s, the urgency of the struggle triggered \u201ca cinema right now\u201d, underground as well as militant, experimental as much as documentary.\u00a0That immediate cinema, joyful and conspiratorial, intended to upset the cinematic shapes,\u00a0its narrow boundaries and its productive logics, as well as to tell otherwise the alternative forms\u00a0of [&hellip;]"}